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Working hours

Museum of Contemporary Art

Ušće 10, blok 15, Belgrade
Working hours: from 10:00 to 18:00, Thursday from 10:00 to 22:00
The Museum is closed on Tuesdays
Admission fees
Individual visit - 300 rsd
Group visit - 200 rsd
Students, pensioners - 150 rsd
Free admission on Wednesdays/p>


Salon of the Museum of Contemporary Art

14 Pariska St., Belgrade
Working hours: from 12:00 to 20:00, except Tuesdays
Admission is free of charge


Gallery-Legacy of Milica Zorić & Rodoljub Čolaković

2 Rodoljuba Čolakovića St, Belgrade
Working hours: from 12:00 to 20:00, except Tuesdays
Admission is free of charge

Avant-Garde: from Dada to Surrealism / Guided tour / Legacy Colakovic / 28.06.14. at 12pm

Talk programs | 28.06.2014

Guided tour / the exhibition “Avant-Garde: from Dada to Surrealism”

The Gallery-Legacy of Milica Zorić and Rodoljub Čolaković (2 Rodoljuba Čolakovića St.)
June 28, 2014 at 12pm

Cooperation between the Museum of Contemporary Art and the Institute for Literature and Art

The exhibition is authored by: Aleksandra Mirčić (Museum of Contemporary Art) and Biljana Andonovska (Institute for Literature and Art).

The exhibition “Avant-Garde: from Dada to Surrealism” presents Surrealist and Dada magazines, as one of the primary forms of activity in these movements of the Avant-garde. Evolutionary currents and multifacetedness of Dada and Surrealist print and ideas are showcase through more than 40 periodicals published between 1916 and 1992.

This exhibitions aims at broadening geographical, chronological, and poetical context within which to examine the devoted editorial practices of Dada and Surrealism. The exhibition follows Serbian/Yugoslav and French publications in parallel, and brings to the fore the plurality of Surrealist tendencies in both of these environments, so as to further our understanding of the specificity introduced by the activity of the official “thirteen” of the Belgrade Surrealism. Taking into account the archive materials, the Surrealist magazine is seen as one large laboratory of collective creation, with special emphasis on the issues of group organisation, automatism and simulation, desire and love, explorations-inclined and socially virulent spirit of Surrealism. Also, the exhibition indicates various ways of reassessing the legacy of Surrealism in changed cultural-political ambiance in the aftermath of the WWII.

The majority of the exhibits were examined and presented drawing on Marko Ristić’s surviving collection and the Legacy of Marko Ristić (SASA (Serbian Academy of Sciences and Arts) Archive and Library), and thus the exhibition also provides an opportunity to underscore before the wide public the unique cultural profile and relevance of this body of work which is one of the most valuable legacies of the 20th c. art at large, and the Surrealist art in particular, within the Balkans.   

For a detailed account of the exhibition, go to