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- Creative Europe Forum 2018 at the Museum of Contemporary Art / MoCAB, June 21 and 22, 2018
- Public lecture by Niels Van Tomme: The Walking Institution (The curatorial programme) / Curatorial course „What Could/Should Curating Do?“ / MoCAB, Wednesday, June 27, 2018 at 6 p.m.
- Film screening „May 68, a Strange Spring“/ Museum of Contemporary Art, 7.6.18. at 6 p.m.
- The Museum of Contemporary Art will be closed on May 9, 2018.
Avant-Garde: from Dada to Surrealism, National Museum ArandjelovacProgramme | 02.12.2015
The exhibition “Avant-Garde: from Dada to Surrealism” in Arandjelovac
National Museum Arandjelovac
December 02 –14, 2015 (opening of the exhibition at 4pm)
Cooperation between the Museum of Contemporary Art and the Institute for Literature and Art. The exhibition is authored by: Aleksandra Mirčić (Museum of Contemporary Art) and Biljana Andonovska (Institute for Literature and Art).
The exhibition “Avant-Garde: from Dada to Surrealism” will present Surrealist and Dada magazines, as one of the primary forms of activity in these movements of the Avant-garde. Evolutionary currents and multifacetedness of Dada and Surrealist print and ideas will be showcased through more than 40 periodicals published between 1916 and 1992.
Among the magazines featured at the exhibition are the following: Cabaret Voltaire, Merz, Cannibale, Dada, Zenit, Dada tank, Dada jazz, Dada jok, Littérature, Putevi, Svedočanstva (pre-WWII), Večnost, Crno na belo, Bela revija, 50 u Evropi, Le grand jeu, Stišavanja, Tragovi, Četiri strane – I tako dalje, Commerce, Surréalisme, La Révolution surréaliste, Le Surréalisme au service de la révolution, Nemoguće, Nadrealizam danas i ovde, Danas, Naša stvarnost, Pečat, Minotaure, Documents, Acéphale, Le surréalisme, meme, L'Archibras, La Brèche, Svedočanstva (post-WWII), Delo, Mediala.
This exhibitions aims at broadening geographical, chronological, and poetical context within which to examine the devoted editorial practices of Dada and Surrealism. The exhibition follows Serbian/Yugoslav and French publications in parallel, and brings to the fore the plurality of Surrealist tendencies in both of these environments, so as to further our understanding of the specificity introduced by the activity of the official “thirteen” of the Belgrade Surrealism. Taking into account the archive materials, the Surrealist magazine is seen as one large laboratory of collective creation, with special emphasis on the issues of group organisation, automatism and simulation, desire and love, explorations-inclined and socially virulent spirit of Surrealism. Also, the exhibition indicates various ways of reassessing the legacy of Surrealism in changed cultural-political ambiance in the aftermath of the WWII.
The majority of the exhibits were examined and presented drawing on Marko Ristić’s surviving collection and the Legacy of Marko Ristić (SASA (Serbian Academy of Sciences and Arts) Archive and Library), and thus the exhibition also provides an opportunity to underscore before the wide public the unique cultural profile and relevance of this body of work which is one of the most valuable legacies of the 20th c. art at large, and the Surrealist art in particular, within the Balkans.
The exhibition is organised in the framework of the project “European Context of Serbian Surrealism”. For a detailed account of the project, go to nadrealizam.rs.
The Museum of Contemporary Art and the Institute for Literature and Art extend their special thanks to SASA Library and Archive, mrs. Jelena Jovanović, prof. Aleksandar Kostić, heirs of Oskar Davičo, Historical Archives of Belgrade, National Library of Serbia, University Library “Svetozar Marković”, Radio-television of Serbia, Academy Film Centre DKSG, as well as to numerous colleagues, for supporting the realisation of this exhibition.