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Working hours


Museum of Contemporary Art

Ušće 10, blok 15, Belgrade
Working hours: from 10:00 to 18:00, Thursday from 10:00 to 22:00
The Museum is closed on Tuesdays
Admission fees
Individual visit - 300 rsd
Group visit - 200 rsd
Students, pensioners - 150 rsd
Free admission on Wednesdays/p>

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Salon of the Museum of Contemporary Art

14 Pariska St., Belgrade
Working hours: from 12:00 to 20:00, except Tuesdays
Admission is free of charge

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Gallery-Legacy of Milica Zorić & Rodoljub Čolaković

2 Rodoljuba Čolakovića St, Belgrade
Working hours: from 12:00 to 20:00, except Tuesdays
Admission is free of charge

CineMoCAB / Zoran Popović, Struggle in New York / Borba u Njujorku / MoCAB / 28.12.17. at 6 pm

Talk programs | 28.12.2017

Thursday’s CineMoCAB 

The CineMoCAB is open again. As an addition to the exhibition Sequences. The Art of Yugoslavia and Serbia in the Collection of the Museum of Contemporary Art, feature- length experimental films and videos from the collection of the Museum of Contemporary Art in Belgrade will be shown Thursdays at 6 pm. The new season of the CineMoCAB is opened with the film Struggle in New York/Borba u Njujorku by Zoran Popović, made in 1976. 

The CineMoCAB program reactivates the Museum’s program dedicated to the art of moving pictures. The director of the program is Dejan Sretenović, the author and the curator of the exhibition Sequences.  

 

Zoran Popović
Struggle in New York/Borba u Njujorku, 1976
16 mm, b/w, 56’30’’


The Museum of Contemporary Art, 10 Ušće St., Block 15
Miodrag B. Protić Auditorium

December 28, 2017 at 6 pm
January 4, 2018 at 6 pm
January 11, 2018 at 6 pm
January 18, 2018 at 6 pm
January 25, 2018 at 6 pm 

Struggle in New York/Borba u Njujorku was shot in October and November 1976 in New York. The film consists of 12 parts organised around the subject of “art and society”, with a strong anti-capitalist message.   

The film is a documentary testimonial of the street boycott of the Whitney Museum carried out by the initiative Artists Meeting for Cultural Change (Aaron Roseman, Carol Condé and Karl Beveridge, Saul Ostrow, Michael Krugman, Katharina Sieverding, Klaus Mettig, et al.), the feminist art critique Terry Berkowitz, Ruth Rachlin and Corrine Bronfman, etc. Numerous authors active at the New York art scene, gathered primarily around the collective Art & Language (Joseph Kosuth, Mel and Paula Ramsden, Ian Burn, Michael Corris, Andrew Menard, Preston Heller, Kathryn Bigelow, Christine Kozlov, Mayo Thompson and others) also make their appearance in this film.