News


MSUB Newsletter

Be informed about our activities


Follow us...

Facebook Twitter Facebook Facebook



Working hours


Museum of Contemporary Art

Ušće 10, blok 15, Belgrade
Working hours: from 10:00 to 18:00, Thursday from 10:00 to 22:00
The Museum is closed on Tuesdays
Admission fees
Individual visit - 300 rsd
Group visit - 200 rsd
Students, pensioners - 150 rsd
Free admission on Wednesdays/p>

****

Salon of the Museum of Contemporary Art

14 Pariska St., Belgrade
Working hours: from 12:00 to 20:00, except Tuesdays
Admission is free of charge

****

Gallery-Legacy of Milica Zorić & Rodoljub Čolaković

2 Rodoljuba Čolakovića St, Belgrade
Working hours: from 12:00 to 20:00, except Tuesdays
Admission is free of charge

Conversation with artist Jasmina Cibic and curator Alessandro Vincentelli / Salon of the MoCA / 24. 10. 2015. at 1pm

Talk programs | 24.10.2015



Conversation with artist Jasmina Cibic and curator Alessandro Vincentelli about the exhibition “Tear Down and Rebuild”

Salon of the Museum of Contemporary Art Belgrade, 14 Pariska St.
Saturday, October 24th 2015, at 1pm

Alessandro Vincentelli is Curator of Exhibitions & Research at BALTIC Centre for Contemporary Art, Gateshead, where he has worked for more than 10 years. During this time he developed and curated solo exhibitions with artists Elizabeth Price and Steve McQueen amongst many others. He collaborated with the Van Abbemuseum, Eindhoven for the David Maljkovic exhibition Sources in the Air, staged at BALTIC Gateshead in 2013 He curated They Used to Call it the Moon in 2014 and most recently The Curves of the Needle exhibition at BALTIC39.  He has a particular interest in the revisiting of modernist movements by artists and in curatorial practices, and in the choreography of artist/ film and video in gallery installations. He is currently working with British Sculptor Brian Griffiths for a new ambitious commission BILL MURRAY : a story of distance, size and sincerity - opening this autumn at BALTIC. 

The exhibition investigates how art and architecture can serve as power strategies of every political order. The exhibition is composed of a performative installation (opening of the exhibition) and a new film work, which the artist shot in the former Palace of the Federation in Belgrade.