- About the Collection
- Permanent collection display
- What’s new in the collection?
- About Us
- Performance "Experimental Extreme Movement + KUKA KR 210" / MoCAB, Saturday, 15.6.2019 at 1 p.m.
- Opening of the exhibition "In touch with" / Museum of Contemporary Art, Friday, June 7th at 7 p.m.
- ANNOUNCEMENT: THE CLEANER, MARINA ABRAMOVIC RETROSPECTIVE EXHIBITION
- Opening of the exhibition Women's Stories / Salon of the MoCAB, Friday, May 24 at 7 p.m.
Dragan Zdravković: Hibernation Mode, Salon of the MoCAProgramme | 29.06.2016
Solo exhibition of artist Dragan Zdravković Hibernation Mode
Salon of the Museum of Contemporary Art Belgrade, 14 Pariska St.
June 29th – August 29th 2016, every day from 12 to 8pm, except Tuesdays (opening of the exhibition on Friday at 8pm)
Curator of the exhibition is Mišela Blanuša (MA), Senior Curator, MoCAB
Along with skyrocketing progress made especially in the IT industry, that nowadays permeates all facets of human existence, identifying himself with his time as an immediate witness to the development of digital technologies, Dragan Zdravković creates his own space, which, following contemporary tendencies in the society and conditions imposed by new technologies, he describes as a hibernation mode wherein, like a computer, he puts himself to “operation” but he is not doing his best because he is saving energy and gathering strength, so as to keep away from the harsh social reality. Thus, in a symbolic sense, Zdravković attempts to relocate from reality and socio-political system he lives in, and “saves” personal and creative energy aiming at giving his utmost, through the process of artistic production, and forging a world of experience of one’s own reality as isolated from the flow of everyday events and, thereby, at the verge of metaphysical insights.
Presenting non-verbal transcripts of space, his paintings are reminiscent of another kind of time gate intended for entering into empty expanses – sites of another dimension of reality, a reality isolated from social reality, where all of us can come in, meet each other and identify, singling out the sites where time is dispossessed of its force, slowing its pace, describing the visible, outer manifestation, which does not define the inner mode of mental activity but rather a mode of personal hibernation, like the processes used by technological products of contemporary society. Behind these seemingly perfect sceneries on his paintings devoid of human figures, Zdravković aims at discreetly emphasising and prompting reflection on the issues of contemporary man and his alienation, caused by the pressures of everything that the speed of living and the imposition of socio-political norms bring about today. His paintings are dominated by tranquillity and silence leading the spectator to wonder about what really takes place behind the realistic depiction of the situation in a painting, thereby introducing us to our own mode of hibernation. Beside being a form of protest, for him art has also become a site of artist’s refuge from hectic and insecure reality into the Arcadian worlds of “ideal” order and harmony, of the dignity restored to Mankind and Nature.
Zdravković (Beograd, 1969) graduated from the Department of painting at the
Faculty of fine arts (ALU) in
Some of his works are included in several museum and
gallery collections, as well as in private collections: Museu do Douro
(Portugal), Madlena Zepter art collection, Museum of the town of Mladenovac,
CZK – Sopot, GAK Narodni Front (Belgrade), LIA―Lepizig International
Art-Programme (A-L. Rolland), and in private collections in