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- Performance Art Film Program will continue on Saturdays at 6pm
- Change in working hours and safety measures in MoCAB’s exhibition spaces
- Opening of the exhibition "Reflections of our time: Acquisitions of the Museum of Contemporary Art 1993-2019" on June 27, 2020 at the Museum of Contemporary Art and the Legacy of Čolaković
- MoCAB offers a free colouring book for all ages
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The Collection of New Art Media
The collection covers a huge time span, from the exceptionally valuable photographic experiments of Belgrade surrealists from the beginning of the 1930s (the photograms of Vane Živadinović Bor and Marko Ristić), to art photography and Conceptual art, and further to the new art media. Conceptual art in Yugoslavia is represented in the collection by many relevant works, of which the most important are video performances by Marina Abramović (Freeing of Memory, 1976) and Raša Todosijević (Was ist Kunst, 1978), the photo documentation of the projects of the OHO group, photo performances and films by Neša Paripović (Examples of Analytic Sculpture, 1977; Rhythm, 1981), the works of Braco Dimitrijević, Zoran Popović, Goran Trbuljak, Balint Szombathy, Tom Gotovac, Era Milivojević and others. The domain of video art comprises the works of Sanja Iveković, Dalibor Martinis, Zoran Todorović, Milica Tomić and others. The collection also contains the first Web Art project in Serbia, a work named Absolute Sale by the Association Apsolutno.
The collection features the works of foreign artists, among which the most distinct are Hans Richter’s film Dreams Money Cannot Buy (1947), a photographic map by Clara E. Siprrell titled “Travels through Yugoslavia”, portfolio of the American photographer Paul Strand, a collection of works by Fluxus artists (George Maciunas, Ken Friedman, Hannah Wilke and others), video works by Jayce Salloum, Anika Ström, photographs by Phil Collins, etc.